by Aly Lalji
There is nothing wrong with sticking with what you know. Eli Roth does what he does best. He sticks to the genre of horror like flies stick to shit (Ed note: is this a telling sign of the film?). The man is the king of directing disgust, gore and torture like no other, proving that The Human Centipede director, Tom Six is the prince that wants to assume Roth’s throne. Here Roth isn’t going anywhere as he maintains his legacy to shock and disturb with his cannibal killer of a film. And if he wants to be like Stanley Kubrick, whose films were also long awaited, ( in this case seven years since his Hostel Part 2,) it better be worth the wait. The good news is The Green Inferno impresses with a great premise, an arc that builds to extreme tension and captivating colourful cinematography of the green Amazon.
There is nothing wrong with sticking with what you know. Eli Roth does what he does best. He sticks to the genre of horror like flies stick to shit (Ed note: is this a telling sign of the film?). The man is the king of directing disgust, gore and torture like no other, proving that The Human Centipede director, Tom Six is the prince that wants to assume Roth’s throne. Here Roth isn’t going anywhere as he maintains his legacy to shock and disturb with his cannibal killer of a film. And if he wants to be like Stanley Kubrick, whose films were also long awaited, ( in this case seven years since his Hostel Part 2,) it better be worth the wait. The good news is The Green Inferno impresses with a great premise, an arc that builds to extreme tension and captivating colourful cinematography of the green Amazon.
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