When a screenwriter pens a successful and well-known film, they are often given the change to direct his next writing project. Jeff Baena, the co-writer of I Heart Huckabees, directed by Academy Award-nominee, David O. Russell, has turned his attention to Life After Beth. Whilst merit must be given to his drive and dtermination, there is something lacking in this film. It should be overtly brilliant, but it isn't. It’s simply satisfactory that grabs the attention from time to time, but doesn’t do enough to intrigue the audience due to the lack of pizzazz, zing or zest.
by Aly Lalji
When a screenwriter pens a successful and well-known film, they are often given the change to direct his next writing project. Jeff Baena, the co-writer of I Heart Huckabees, directed by Academy Award-nominee, David O. Russell, has turned his attention to Life After Beth. Whilst merit must be given to his drive and dtermination, there is something lacking in this film. It should be overtly brilliant, but it isn't. It’s simply satisfactory that grabs the attention from time to time, but doesn’t do enough to intrigue the audience due to the lack of pizzazz, zing or zest. by Aly Lalji In 2001, director Antoine Fuqua had directed Denzel Washington in Training Day. History was made as Denzel was the second black actor to win Best Actor in a Leading Role, taking the reign from Sidney Poitier’s 1964 win. Progress for African Americans evolved as barriers were finally broken. Now Fuqua and Washington have teamed up again in action thriller The Equalizer almost thirteen years later. We can imagine how the conversations went; a formal sit down at the table as they discuss the finer details. "How can this help me win an Oscar?" whilst a silece descends in the offices as Fuqua answers "It won't! But you are going to entertain the hell out of of your audience, being all cool, calm and collected." And with that Washington smiled and said, "hell yeah!" Now everyone, how are are we all? Welcome back to another school year! I hope you enjoyed your break and are ready to get stuck into knowledge, excitement and yes, exams. But first, I want to know what did you all watch over summer. (this is presentation of the children's work contains spoilers) by Aly Lalji You’re Next was definitely the favourite of last year's Fright Fest. Most were very eager to see director Adam Wingard’s latest movie The Guest. Starring Dan Stevens, who is best known for appearing in Downton Abbey, the movie revolves around a small-town suburban family who lost a son in the Afghanistan war. David (Stevens) turns up unannounced one day to pay his respects and soon integrates himself into the family’s life, sticking up for the bullied younger brother and keeping an eye out for the stunning older sister. However, David is not exactly what he seems and soon, bad things start to occur around him. by Aly Lalji There is nothing wrong with sticking with what you know. Eli Roth does what he does best. He sticks to the genre of horror like flies stick to shit (Ed note: is this a telling sign of the film?). The man is the king of directing disgust, gore and torture like no other, proving that The Human Centipede director, Tom Six is the prince that wants to assume Roth’s throne. Here Roth isn’t going anywhere as he maintains his legacy to shock and disturb with his cannibal killer of a film. And if he wants to be like Stanley Kubrick, whose films were also long awaited, ( in this case seven years since his Hostel Part 2,) it better be worth the wait. The good news is The Green Inferno impresses with a great premise, an arc that builds to extreme tension and captivating colourful cinematography of the green Amazon. by Aly Lalji It’s ok to mourn the loss of someone with brilliance. Robin Williams had excellence and surpassed it often. He made me cry with tears of laughter in Mrs Doubtfire, he impressed the hell out of me in Good Will Hunting with his likeable but serious side. However, it was in Dead Poets Society he inspired me like no other teacher. In fact, Williams is the reason why I become a fully qualified High School Teacher If I’m in the challenging profession of teaching boisterous teenagers, it’s simply because Robin Williams’ charismatic performance motivated me to make a difference and make an impact in a child’s life as he did. by Jo Johnstone The Robin Thicke, Mikey Cyrus incident earlier this year caused all manor of controversies. For some, it was the lewd nature of the dancing. For others, it was the age gap between the two performers. For any child of the Eighties or nighties, one question has collectively bugged us all, how did Thicke managed to steal Beetlejuice's suit? Before master director Tim Burton made his name with his vision of Batman or captured our hearts with Edward Scissorhands. he was the new kid on the block. A quirky animator turned director whose oddball visuals gave audiences a break from the mainstream. In this early work Burton cast comic actor Michael Keaton as an afterlife ghoul with a knack for causing trouble. by Aly Lalji In 2012, when Welsh writer, director Gareth Evans set free his baby, The Raid: Redemption, western audiences embraced his Indonesian action caper resulting to be a confirmed cult classic of action and martial arts. Who were these unknown Indonesian actors? Let alone, who was Gareth Evans? We watched, we were intrigued and we learned. The intense, brutal and bloody Indonesian sub-titled film cost $1:1 million and made $9.1 million at the box office. by Aly Lalji Sylvester Stallone is the man, the myth, the legend. While it is true that we must show respect to their elders, putting his sixty-eight years of age aside, Sly has contributed high level action entertainment for nearly forty years. His work in The Expendables 3, is another exceptional piece of work to his resume. Let’s not forget, this is his story and yet the man can still deliver action to extreme entertainment. If Elvis is the king of rock and roll, let it now be confirmed that Sly is the king of action movies, no question. |
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