There is no denying that Terry Gilliam is a master in cult cinema. He has carved many dystopian futures full of complexities and intellectual visionary philosophies. Movies such as Brazil and Twelve Monkeys have this distinctive look; colourful in a world of rot and decay. Technological advancements while history crumbles away, these worlds are rich in a sole character trying to fight back against this weird norm that everyone has accepted. Gillioram-esque has become a cinema term because we are so accustomed to his creations. The Zero Theorem is the latest movie to add to the Gilliam roster.