Transgender and transvestitism has been tackled in cinema for a long time. From the beginnings of film, there has been people playing with cross-dressing and changing genders. Often, however, this was usually done through the belittled and narrow mind of stereotypes in order to play around with the comedy. Some Like It Hot, The Rocky Horror Picture Show and still, in many family movies such as Paddington, the aspect of a man in woman’s clothing is seen as laughable, hysterical and sometimes, that feels completely wrong. Only recently, have films deviated from this norm and, in essence, have tried to showcase the wrought emotions behind people who truly want to be who they are underneath their gender. The New Girlfriend is one of those films derived from sensitivity and alluring personality.
Coming from acclaimed director Francois Ozon, who with movies such as 8 Femmes and Potchie has developed a skill not dissimilar to Pedro Almodovar in giving women depth, The New Girlfriend is a stunning portrayal of femininity that encompasses many different vessels and yearning for escape. The work, based on a story by Ruth Rendell (though the ending was largely changed,) this is a very tender depiction of transvestism, cross-dressing and sexuality - focusing on the duality of the soul rather than that of stereotype. Whilst increasing the tension about them, the conflict between who you are and who you are perceived to be, Ozon layers this evocative exploration of self and discovery. The themes of becoming who you are and re-birth after grief is delicately handled, with humour, sorrow and undeniable intellect.
The story does peter off in the final third for a few minutes, feeling somewhat unmatched against the rest of the film, yet Ozon is quick to regain energy and momentum. The shift in tone sparks a lot more drama and moves into a darker terrain, which is only a hindrance because it is too quick and unexpected. It marks a departure away from Virginia and tackles Claire’s troubles instead. Though affected by mild pacing issues, Ozon eloquently fleshes them out to create a marvellous overall product.
The New Girlfriend is swamped with beautiful imagery and haunting centric performances by Duris and Demoustier. The movie delectably marries drama and humour, enhanced by the sublime aesthetic. It is wickedly progresses, speaking loudly of the spectrum of man and sexuality, in which differences are explored rather than condemned. Striking, visceral and gorgeously envisioned, The New Girlfriend is a wonderful film.
The New Girlfriend is out May 22nd.